WORLDWIDE PRODUCTION AGENCY
FEATURES | LOUIZA VICK · LOUIZA@WP-A.COM
TV | BRIAN GOLDBERG · BRIAN@WP-A.COM
COMMERCIALS | STEVEN JACOB · STEVEN@WP-A.COM
With a sensitive eye for detail and an innate sense of visual language, Cinematographer Natalie Kingston approaches each project with a unique and thoughtful perspective that aims to evoke a deep emotional resonance within the audience.
Natalie’s work on the Emmy and Golden Globe-winning Apple TV+ crime drama, BLACK BIRD, earned her an Emmy for Outstanding Cinematography For A Limited or Anthology Series or Movie. She made history in 2024 as the first woman to take home the win for the category or for any narrative fiction television series cinematography category. In 2022, Natalie’s work on BLACK BIRD was also selected to screen in the TV Series Competition at the Camerimage Film Festival.
In 2023, Natalie’s artistry earned recognition by the ASC with a spot on American Cinematographer’s Rising Stars of Cinematography.
Natalie’s latest work, the feature film PSYCHO THERAPY: THE SHALLOW TALE OF A WRITER WHO DECIDED TO WRITE ABOUT A SERIAL KILLER, directed by Tolga Karaçelik and starring Steve Buscemi and John Magaro, won the Audience Award at the 2024 Tribeca Film Festival.
Previously Natalie shot SHAPELESS, director Samantha Aldana’s surreal feature drama which premiered at Tribeca Festival in 2021. The film garnered critical acclaim from outlets such as Film Inquiry which described Kingston’s work as doing an exquisite job of marrying what’s on-screen and how Ivy sees herself, so that the viewer’s interpretations align.
Variety described the imagery of LOST BAYOU— a film shot by Natalie for director Brian C. Miller Richard, which premiered at the Tribeca Festival in 2019 — as “relaxed and beautiful.” The review noted how the film beautifully captured the sunlight-dappled stillness and charm of the remote setting.
Outside of film and television, Natalie also lenses music videos and commercials. In 2021, she shot BREAK for JULIA STONE FT. ST. VICENT which premiered at SXSW the same year. She also collaborated with BILLIE EILISH on the music videos, YOU SHOULD SEE ME IN A CROWN and BITCHES BROKEN HEARTS.
Her commercial work includes brands like Adidas, Powerade, ON, NFL, ON, No.7 and Team USA.
In 2019, Natalie photographed Alma Har’el’s FREE THE WORK campaign directed by Amber Grace Johnson, which earned a spotlight at Cannes Lions that same year.
Most recently, she wrapped photography on Director Lauren Meyering’s feature film, HORSEGIRLS.
As a member of the American Society of Cinematographers, The International Cinematographers Guild and the Television Academy, Natalie consistently creates captivating, visually striking work.